Netflix's 'The Last House' is a prime example of how a movie can fail to live up to its potential, especially when it comes to tackling a relevant and timely subject. The film, directed by Louis Leterrier and written by Matthew Robinson, attempts to use the COVID-19 lockdown as a backdrop for a family's struggle, but it falls flat due to its nonsensical plot and lack of depth. Personally, I think the movie's biggest flaw is its inability to strike a balance between entertainment and meaningful commentary. While the premise of being trapped in one's home for months is relatable, especially for those who endured the quarantine, the execution is woefully inadequate. What makes this particularly fascinating is how the film's plot unravels, leaving viewers with more questions than answers. The story begins with a storm forcing an unemployed engineer, Jason (played by Wagner Moura), and his family inside their house. The family's inability to leave is due to a mysterious force that prevents them from opening doors and windows, even after trying to break the glass. This setup, while intriguing, quickly becomes a source of frustration for the audience. The family's subsequent months (and years) of confinement, complete with a crate of records and two DVDs, could have been an opportunity for a thought-provoking exploration of the human condition during isolation. However, the film takes an unexpected turn with the introduction of deep-sea creatures who, for no apparent reason, trap all of humanity inside their homes. This twist not only undermines the movie's initial premise but also dilutes any potential commentary on the COVID-19 lockdown. The plot holes are numerous and glaring, such as a hand-held radio that transmits video without WiFi, signal, or power, and a fire that ignites while submerged in water. These inconsistencies distract from the film's intended message and leave the audience questioning the logic of the story. What many people don't realize is that 'The Last House' could have been a powerful commentary on the impact of lockdowns on mental health, family dynamics, and the human spirit. Instead, it becomes a chaotic and confusing mess, with the family's struggle for survival overshadowed by the nonsensical plot. The film's attempt to teach a lesson about non-violence in the final scene is particularly weak and feels like a forced afterthought. From my perspective, the movie's failure lies in its inability to create a compelling narrative that resonates with the audience. The COVID-19 lockdown is a sensitive and complex topic, and it requires a thoughtful and nuanced approach. Unfortunately, 'The Last House' falls short in this regard, leaving viewers with a sense of disappointment and a longing for a more meaningful cinematic experience. In conclusion, while the premise of 'The Last House' had the potential to be engaging, the execution is flawed and the commentary is lost in a sea of plot holes. The film's nonsensical plot and lack of depth make it a missed opportunity for a powerful and thought-provoking piece of cinema. If you're looking for a movie that speaks to the COVID-19 lockdown experience, I'd recommend seeking out more thoughtful and well-crafted films that explore the human condition during challenging times.
